Walks
Early Recordings
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Test_01
- Describing a walk outside in a park while within a small
living room of a terraced house
Observations
- This was the first trial of the 'talking aloud' method;
instuctions were given to the participant to walk within a room,
describing a walk that they remember making elsewhere.
- Participant chose to describe an outdoor walk , in park in
the town in which they grew-up. It was therefore no surprise that the
decription contained mainly annecdotal information, relating to events
that were meaningful to the participant and that had accured within the
space.
- An interview was conducted after the walking/describing
- mp3:
http://www.walkinghereandthere.org/podcasts/mb_221105_interview.mp3
- podcast:
http://www.walkinghereandthere.org/podcasts/mb_221105.xml
- Participant commented that they were aware of the
interaction between real and remembered spaces; for example, when
describing a broken bridge, they stopped their walk in real space.
- Participant mentioned that the real space had impact on how
much of the remembered walk could be described - spatial and temporal
aspects of the remembered walk were compressed to 'fit' within the
smaller, real space.
- On observing the participant
walking and describing in real
space, the question of where the 'work' resides was brought into
focus; it could be in:
- the participant walking and describing
- walking & talking
- dislocated from real space
- embedded in remembered space
- the participant walking and listening to
description of another space
- walking & listening
- dislocated from remembered space
- embedded in real space
- participant describes the interaction between real
space and remembered space
- walking & talking
- embedded in both real & remembered space
Conclusions
- Participant may describe annecdotes rather than their
recollections of moving within the remembered space
Recommendations
- Participants should be given more precise instructions to
describe their movements through - and the characteristics of -
the remembered space.
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